Greg Recchia — photo

Greg Recchia

Mix Engineer & Earworm Architect

There's a reason Greg's clients talk about him like a bandmate and not just an engineer: he functions like a therapist in the studio. You can expect plenty of encouragement, constructive feedback, and a calm that lets you be totally honest about what the song means to you.

He plays multiple instruments entirely by ear (no formal theory, just instinct) and his feel-over-analysis approach to music shapes every sonic choice.

He wants artists who are passionate dreamers trying to do big things, and thrives in that final stretch of production - ear candy, textured transitions, and those tiny details that turn a good song into something cinematic.

Hear For Yourself

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Three things you’ll love
about Greg:

He cares about your song as much as you do, and I know that's the line every engineer puts on their website. Difference is Greg built twenty years on it, and his clients talk about him like he was in the band, not like they hired him. If you've ever felt like a vendor in your own session, that's the thing he's allergic to.

He plays a bunch of instruments by ear, no theory, which sounds like a limitation until you're in the room with him. He hears music the way you do. In feel. Frequency charts don't enter into it. One morning he woke up with a chord progression in his head, played it on guitar, drove it to a session in the city that same day, and the artist had a whole song written by sundown.

Vocals are where he gets a little obsessive, and honestly you want that. Most engineers will fix a weak word in the mix and move on. Greg will dig through every take you gave him to find that same word sung better, and if it's not in there, he'll make you sing it again. It's the most important thing in the song to him, so it gets the most attention.